Illustrating the effect of class relationships upon the institutionalizing of elaborate codes in the school, the papers in this volume each develop from the previous one and demonstrate the evolution of the concepts discussed.

Illustrating the effect of class relationships upon the institutionalizing of elaborate codes in the school, the papers in this volume each develop from the previous one and demonstrate the evolution of the concepts discussed.

A remote lodge in upstate New York is the perfect getaway . . . until the bodies start piling up. It's winter in the Catskills and the weather outside is frightful, but Mitchell's Inn is so delightful! The cozy lodge nestled deep in the woods is perfect for a relaxing - maybe even romantic - weekend away. The Inn boasts spacious old rooms with huge wood-burning fireplaces, a we...(展开全部)

加列特·基泽尔 Garret Keizer 自由撰稿人，《哈泼斯杂志》特约编辑，新近成为古根海姆学者。他曾出版六本书，包括广受好评的《帮助》（Help）和《愤怒之谜》（The Enigma of Anger）。他的散文和诗歌散见于《洛杉矶时报》、《琼斯母亲》、《纽约客》、《美国最美散文》和《美国最美诗歌》。

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an 'Orient' for their new nation state. He argues that the Japanese attempted to use a variety of pasts - Chinese, Indian, and proto-historic Japanese - to construct an identity that was both modern and Asian.

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an "Orient" for their new nation state. He argues that the Japanese attempted to use a variety of pasts―Chinese, Indian, and proto-historic Japanese―to construct an identity that was both modern and Asian.

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an "Orient" for their new nation state. He argues that the Japanese attempted to use a variety of pasts―Chinese, Indian, and proto-historic Japanese―to construct an identity that was both modern and Asian.

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an 'Orient' for their new nation state. He argues that the Japanese attempted to use a variety of pasts - Chinese, Indian, and proto-historic Japanese - to construct an identity that was both modern and Asian.

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television. Investigating the archives of one of the most influential designers of the twentieth century, Wigley scrutinizes Wachsmann's design, research, and te...(展开全部)